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  1. Lenses
  2. Sony
  3. E Mount
  1. Lenses
  2. E Mount
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Sony FE 50-150mm f/2 GM

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Rent the Sony FE 50-150mm f/2 GM in Canada — the world’s first 50-150mm zoom with a constant f/2 aperture, effectively replacing a bag of fast primes in a single lens. It’s a landmark optic for weddings, portraits, events, theatre and indoor sports on Sony full-frame. Key points:

  • Constant f/2 across the whole 50-150mm range — prime-like light-gathering and subject separation at every focal length
  • Covers your key portrait and event focal lengths (50, 85, 105, 135, 150mm) without changing lenses
  • Internal zoom and focus: the barrel never extends, so balance and sealing stay consistent (ideal on a gimbal)
  • G Master optics with XA, Super ED and ED elements, driven by fast, quiet dual XD Linear Motor autofocus

Our thoughts

This is a remarkable lens — f/2 held all the way to 150mm means the background separation you’d normally chase with an 85 or 135 prime, but with the freedom to reframe instantly. For weddings and events it’s a genuine game-changer, and the internal zoom keeps it steady on a gimbal. The honest trade-off is size: at around 1.34kg with a 95mm front, it’s a substantial lens, so it balances best on a grippy body.

— Will, Founder

Key specifications

Lens mount Sony E
Format Full-frame
Focal length 50–150mm
Maximum aperture f/2 (constant)
Minimum aperture f/22
Aperture blades 11 (rounded)
Optical design 19 elements in 17 groups, incl. XA, Super ED and ED elements
Autofocus Dual XD Linear Motors (four total), with internal focus
Zoom & focus Internal zoom and internal focus (non-extending)
Controls Aperture ring (de-clickable), focus-hold buttons and AF/MF switch
Minimum focus distance 0.4m (wide) / 0.74m (tele)
Maximum magnification 0.2x
Filter thread 95mm
Build Dust- and moisture-resistant; approx. 1,340g (2.95 lb), with removable tripod foot

Compatibility & what you might add

  • Fits any Sony E-mount body — full-frame Alpha and Cinema Line FX cameras. On an APS-C body it gives roughly a 75–225mm equivalent field of view.
  • Takes 95mm screw-in filters — a polariser or ND pairs well for outdoor and video work.
  • Its internal zoom makes it a strong choice for gimbal and handheld video, staying balanced through the whole range.
  • Comparing fast zooms and portrait glass? Look at the longer FE 300mm f/2.8 GM for extra reach, or browse the full Sony E-mount range.

Q&A

What makes this lens special?

It’s the first zoom to offer a constant f/2 aperture out to 150mm, so you get the shallow depth of field and low-light ability of a fast prime, but across a whole range of portrait and event focal lengths. In practice it can stand in for several primes — 50mm, 85mm, 105mm, 135mm and 150mm — without you ever swapping lenses.

How heavy is it, and can I hand-hold it?

It’s a substantial lens at around 1.34kg, but very manageable handheld for events and portraits, especially on a well-gripped body. It comes with a removable tripod foot for longer sessions or when mounted on support. We ship it protected and ready to shoot.

Is it good for video?

Yes — it’s excellent. The internal zoom means the lens never changes length, so your gimbal stays balanced through the whole range, and the aperture ring can be de-clicked for smooth iris pulls. Combined with quiet XD Linear Motor autofocus, it’s a superb event and interview lens.

Does it work with teleconverters?

No — this lens isn’t compatible with Sony’s teleconverters. If you need more reach at a fast aperture, take a look at the FE 300mm f/2.8 GM or a 70-200mm; we’re happy to advise on the right combination.

Which Sony cameras does it fit?

Any Sony E-mount camera — every full-frame Alpha and Cinema Line FX body, plus Sony APS-C bodies. On full-frame you get the native 50–150mm; on APS-C it crops to roughly a 75–225mm equivalent for extra reach.

★★★★★ Rated Excellent on Trustpilot

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